Filtering by: Improv

National Danish School of Performing Arts | Nykøbing, Denmark
Aug
10
to 18 Aug

National Danish School of Performing Arts | Nykøbing, Denmark

APPLYING KEITH JOHNSTONE'S METHODS TO IMPROVISED PERFORMANCE

IMPRO WITH PATTI STILES AND STEEN HAAKON HANSEN

Please note the workshop dates for this is still in discussion as the world navigates Covid. To register your interest in the workshop please contact. Stine Marcher

Expand your improvisation knowledge, increase your skills and techniques and challenge yourself with this unique workshop opportunity - learning ways how to use the techniques.

An eight day workshop focused on performance creation using Keith Johnstone’s improvisation techniques for acting awareness and character development and it’s influence and potential in dynamic story creation, taught by two of the finest teachers and experts within the field of improvisation Patti Stiles and Steen Haakon Hansen.
A look at the school.

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online | SceneWork part 1 | for Impro Melbourne
Nov
2
to 23 Nov

online | SceneWork part 1 | for Impro Melbourne

Join Patti Stiles for an online course developing your understanding of Scenework.

Pattis' aim is to fine tune your understanding of storytelling so when you are back in the room playing, your intellectual side is comfortable and you can release yourself more freely into the experience of playing the moment while having a stronger awareness of what the scene/show needs.

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online | SceneWork part 2 | for Impro Melbourne | SOLD OUT
Oct
23
to 13 Nov

online | SceneWork part 2 | for Impro Melbourne | SOLD OUT

Join Patti Stiles for an online course developing your understanding of Scenework.

NOTE: This is a continuation of the work covered in SceneWork part 1. SceneWork part one is a mandatory prerequisite for this class.

Pattis' aim is to fine tune your understanding of storytelling so when you are back in the room playing, your intellectual side is comfortable and you can release yourself more freely into the experience of playing the moment while having a stronger awareness of what the scene/show needs.

BOOKINGS

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Online course - SceneWork
Aug
28
to 18 Sept

Online course - SceneWork

Join Patti Stiles for an online course developing your understanding of Scenework.

Pattis' aim is to fine tune your understanding of storytelling so when you are back in the room playing, your intellectual side is comfortable and you can release yourself more freely into the experience of playing the moment while having a stronger awareness of what the scene/show needs.
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Slice of Life scenes.   Online impro class.
Aug
26
9:00 am09:00

Slice of Life scenes. Online impro class.

Improvising scenes finding the catalyst that reveals the extraordinary stories in our everyday world. Making the mundane, memorable.

BOOKINGS

19:00 - Melbourne | 20:00 - Auckland | 10:00-London UK | 11:00 - Rome Italy | 18:00 - Tokyo | 14:30 - Chennai | 13:00 - Dubai | 11:00 - Stockholm, Copenhagen, Oslo | North America - you are still sleeping.

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Two Play- SOLD OUT
Aug
22
to 29 Aug

Two Play- SOLD OUT

Two play or not too play?

The answer is Yes! Play!

Dive into the impro world of creating two person scenes in the on line space. This workshop is all about playing scene after scene after scene. Scenes will be side coached and players will receive feedback to sharpen your impro skills and enhance your scene development.

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Slice of Life scenes.   Online impro class. - SOLD OUT
Aug
12
9:00 am09:00

Slice of Life scenes. Online impro class. - SOLD OUT

Improvising scenes finding the catalyst that reveals the extraordinary stories in our everyday world. Making the mundane, memorable.

BOOKINGS

19:00 - Melbourne | 20:00 - Auckland | 10:00-London UK | 11:00 - Rome Italy | 18:00 - Tokyo | 14:30 - Chennai | 13:00 - Dubai | 11:00 - Stockholm, Copenhagen, Oslo | North America - you are still sleeping.

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Online course - SceneWork
July
19
to 9 Aug

Online course - SceneWork

Join Patti Stiles for an online course developing your understanding of Scenework.

Pattis' aim is to fine tune your understanding of storytelling so when you are back in the room playing, your intellectual side is comfortable and you can release yourself more freely into the experience of playing the moment while having a stronger awareness of what the scene/show needs.

BOOKINGS

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